Skip to main content

a song of ice and fire - How much creative independence are the Show runners accorded in Game of Thrones?


Since Season 3, we have been observing that the show was taking a different direction than the books. Many important characters never made it into the show, others who are still alive were killed off.


As we know the show is supposed to be based on the books, not to be direct adaption of the books from print to television media, there's bound to be a certain degree of creative independence accorded to them by the author of the series, George R.R. Martin.


The question is, how much independence do they have? Do they still have to take GRRM on board with whatever changes they might intend to make? By "they" I mean D&D and the whole writers crew for the show. Given the number of significant changes they have made, I reckon the answer would be a lot. Has GRRM or HBO ever commented on that?



Answer



George answered this question in a recent interview with Meduza on 22nd August 2017.



Q: How independent are the showrunners from you? Simply put: could they save the life of a character you’ve decided to kill? Or could they kill someone who’s still alive in your books?


GRRM: They are independent. They can do whatever they want. I don’t have any power… any contractual right to [stop them]. I consult with them. I talk to them on a regular basis. Of course, years ago, we had a series of very long meetings, where I told them some of the big twists and turns and huge events that were coming in the last few books. So they’ve been touching [on] some of these, and doing some of the reveals, but they have also been departing in various ways.



The biggest one is one that you just mentioned: probably right now, right as we talk, there are close to 20 characters who are dead on the show, who are still alive in the books. Some of them are very minor characters, but also there are major characters, like Rickon Stark, Barristan Selmy, Myrcella Baratheon. All of them — dead on the show, but alive in the books.


There are also a number of characters in the books — fairly important characters — who have never been in the show at all. Characters who were omitted totally. It’s not a question of killing them; they’re just not there. They were never a part of it: Lady Stoneheart is one of them; Arianne Martell, the heir to Dorne, who’s a viewpoint character; and Victarion Greyjoy, one of the sons of Quellon Greyjoy and brother to Balon and Euron. All of these characters are quite important in the books and missing totally in the show.



And regarding his involvement in the show as compared to D&D's, he said the following in a separate interview to Time:



Q: How has your involvement in the show changed over time?


GRRM: I’m a co-executive producer on the show; David and Dan are the showrunners. Right from the first, we knew that they were going to do the lion’s share of the work, but I did wanted to be involved. Initially, I was involved in all the casting — I wasn’t physically present — I was here in Santa Fe. But through the wonders of the internet, I was able to look at all of the actors reading and to write them long letters and to have phone calls where I discussed which actors I like and which actors I didn’t like. And in the early seasons, I wrote one script per season. I would have gladly done more, but there just wasn’t time. I’m still trying to do these books. It takes me about a month to write a script and I didn’t have a month to spare, so I said, I think I’ll sit out season 5. I’ve sat out seasons 6 and 7 too, just trying to concentrate on this book, which as you know is massively late. So in that sense, my involvement in the show has diminished over time, though, I’m still here whenever they want to talk to me, and I’m always glad to weigh in. David and Dan have come to Santa Fe and we’ve discussed many of the ultimate developments, those landmarks that I spoke to at the end of the road that we’re both driving for. So I don’t need to be quite as involved as I was at the beginning.



Comments

Popular posts from this blog

futurama - How much time is lost in 'Time Keeps on Slippin''

In time Keeps on Slippin' , Farnsworth creates a basketball team which he matures by abusing Chronitons. This leads to time skipping forward by random, but ever increasing amounts. How much time was skipped in this way? Answer Unfortunately, I don't think a good estimate can be made for this, for two reasons: Many of the time skips move forward by an indeterminate amount of time. At one point, the Professor mentions localized regions of space skipping forward much more than others. We then see two young boys on the street below complaining about having to pay social security, only to suddenly become senior citizens and start complaining about wanting their money. Thus, each individual could have experienced a different amount of time skippage.

harry potter - How could Expelliarmus beat Avada Kedavra?

I want to be very careful about how I ask this question – I am not asking How did Voldemort die? [CLOSED] Below the text is the relevant passages from Harry Potter and the Deathly Hallows if anyone wants to review them (I'm sorry for the amount of text). How did Expelliarmus beat Avada Kedavra and kill Voldemort? I feel the reason Harry's Expelliarmus overpowered Voldemort's Avada Kedavra curse has to do with who was master of the Elder Wand and how the Elder Wand works. I've always had trouble understanding fully how the Elder Wand works, though. How much did the fact that Voldemort never truly won or mastered the Elder Wand factor into how Expelliarmus reacted to Avada Kedavra and caused Avada Kedavra to rebound and kill Voldemort? An answer based in book canon would be especially welcome, but any canon source really is fine. Harry heard the high voice shriek as he, too, yelled his best hope to the heavens, pointing Draco’s wand: ‘ Avada Kedavra !’ ‘ Expelliarmus !...

Is there good canon evidence for the "Nightmare Matrix"?

On the Matrix wiki, there's an article about the Nightmare Matrix which says: The Nightmare Matrix was the second prototype Matrix, designed by The Architect after the massive failure of the Paradise Matrix in the hope that human minds would more readily accept an imperfect world with suffering. Unlike the first version, this Matrix instituted a basic cause-and-effect programming and forcibly made those connected to it accept the program. Vamp Prime, a possible remnant of the Nightmare Matrix. It also featured programs that resembled mythical evil creatures in various human mythologies such as vampires, werewolves, zombies, aliens, etc. It also failed, but many of the programs who were designed for it survived deletion in exile. The Merovingian and his wife, Persephone may have had their roots in this version of the Matrix. Upon its failure, the Merovingian started a smuggling ring of programs and information to provide a haven for exiles that would last for 6 cycles in the final ...

story identification - Anime with a boy hiring a creature from a stone, meets a man named Dante and starts a journey to collect crystals

I am from India, this anime or animated series (I can't remember this was made by the Japan or other countries) was aired between 2009 and 2012 probably in Jetix/Disney XD (but I'm not sure). This anime starts with a boy (the main character, I forgot his name) who find a stone (or crystal like thing) in his dad's property, his dad was missing that time. Some day he accidentally hire a creature/monster from that stone. Other day some creature attack him and he was saved by his creature and the story begins. In his journey to solve the mystery he meets a middle aged man 'Dante' (probably that was the name; this is the only character name I can remember). He had also some stone. After that they meet with one girl and a women (one of the girls is same age with the main boy character and probably will become his partner as the story goes on). Another women probably Dante's partner. Four of them started their journey to collect all the stone/crystal. They are collecti...