Skip to main content

religion - Is Eru intended as a literal representation of the Christian God?



Given that ...




  • Tolkien is on record as saying he envisioned Middle-Earth as being a literal precusor to modern day earth "in a different stage of imagination".




  • As a Christian, a major theme of his legendarium is faith itself, the trust between the creator and the created.




  • Tolkien was close friends with fellow Christian C.S. Lewis, who chose to put a literal representation of Jesus into his Narnia series.





... it made me wonder whether Tolkien intended any literal paralells between Eru and the Christian God?


If not, it would seem that by situating his stories in the real world, but creating an entirely fake deity, he might have been in danger of breaking the first commandment. Did he leave any record as to his feelings on this matter?


(References from interviews, letters or literary criticism rather than speculation, please.)



Answer




"The Lord of the Rings is of course a fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision. ” Letter to Robert Murray, S.J., 2 December 1953



By this, Tolkien meant that it was not meant to be a Christian allegory like Narnia (although technically Aslan was similarly meant to be "just" Jesus in an alternate universe and not an allegory for same, but much of the surrounding story was an allegory for C.S. Lewis' Christian apologetics, and Tolkien didn't care for that.)



But rather that he deliberately chose not to add in anything that would conflict, "metaphysically" with his Catholic beliefs about the nature of evil, the soul, creation etc.


Thus, if there is to be a Creator God, it had to be the same God that Tolkien believed in, with the author only as Sub-creator, inspired by the "reality" of creation in "real life" and thus inspired by the same source. (with the goal also of being realistic and not "alien" to the reader)


To that end, he made sure that the Valar were not separate deities but were similarly inspired, i.e. Sub-creators of their own, (c.f. the answer I gave here about Eru's relationship to the Ainur) and Tolkien created the concept of Mythopoeia to explain how he felt story-telling was the same way.


Melkor wanted to be a demi-urge and create his own separate realms uninspired by his own creator, which Tolkien and other Catholics would see as pride and rejecting the beauty of creation, conversely William Blake would have agreed but thought was a good thing.1


In short, a very broad application of "write what you know".


He also left out all references to religion in-universe precisely because he didn't want it to conflict with his own (or the reader's) thoughts on the matter, since it wasn't meant to be an alien world... Tolkien was a lot more broad in imagining, say, the fate of Elves and Dwarves after death and such, since they were mythical beings.


But he really fretted over stuff like whether Eru could allow inherently evil beings to exist, that conflicted with his theology etc. So basically unlike the movies where "it's just a story so let's pretend everyone's pure good or pure evil" Tolkien wanted to accurately reflect reality as he saw it.


On Edit: It helps that Tolkien was a Catholic as they're pretty syncretistic when it comes to associating prehistoric religious belief with "innocent belief" in Angels etc, so he could just fold it into his legendarium. The Jesuits often identified other creator gods with the Catholic God... And the Old Testament can get pretty out there too when it comes to pantheons of angelic beings.


1 William Blake probably would have sided with Melkor and the fallen angels. Similarly Fëanor rebelled against (the) God(s) in trying to "own" the light of creation.


Comments

Popular posts from this blog

harry potter - Did Dolores Umbridge Have Any Association with Voldemort (or Death Eaters) before His Return?

I noticed that Dolores Umbridge was born during the first Wizarding War, so it's very likely she wasn't a Death Eater then (but she is pretty evil -- who knows?). After that Voldemort was not around in a way that could affect many people, and most wouldn't know he was planning to rise again. During that time, and up through Voldemort's return (in Goblet of Fire ), did Umbridge have any connection with the Death Eaters or with Voldemort? Was she doing what she did on her own, or was it because of an association with Voldemort or his allies? Answer Dolores Umbridge was definitely not a good person. However, as Sirius points out, "the world isn't split into good people and Death Eaters". Remember that he also says that he doesn't believe Umbridge to be a Death Eater, but that she's evil enough (or something like that). I think there are two strong reasons to believe that: Umbridge was proud to do everything according to the law, except when she trie...

What is the etymology of Doctor Who?

I recently decided to watch Doctor Who, and started viewing the 2005 version. I have the first two episodes from the first season, and I can't help but wonder what is the etymology of the name "Doctor Who"? And why does the protagonist call himself "the Doctor" (or is it "the doctor")? Answer In the very first episode of Doctor Who (way back in 1963), the Doctor has a granddaughter going by the name "Susan Foreman", and the junkyard where the TARDIS is has the sign "I.M. Foreman". Barbara, who becomes one of the Doctor's companions, calls him "Doctor Foreman" (probably assuming that is his name given his relationship to Susan), and Ian (another early companion) does the same in the second episode, to which the Doctor says: Eh? Doctor who? What's he talking about? "Foreman" is most likely selected as a convenient surname for Susan to use because it happened to be on display near where the TARDIS landed....

story identification - Animation: floating island, flying pests

At least 20 years ago I watched a short animated film which stuck in my mind. The whole thing was wordless, possibly European, and I'm pretty sure I didn't imagine it... It featured a flying island which was inhabited by some creatures who (in my memory) reminded me of the Moomins. The island was frequently bothered by large winged animals who swooped around, although I don't think they did any actual damage. At the end one of the moomin creatures suddenly gets a weird feeling, feels forced to climb to the top of the island and then plunges down a shaft right through the centre - only to emerge at the bottom as one of the flyers. Answer Skywhales from 1983. The story begins with a man warning the tribe of approaching skywhales. The drummers then warn everybody of the hunt as everyone get prepared to set "sail". Except one man is found in his home sleeping as the noise wake him up. He then gets ready and is about to take his weapon as he hesitates then decides ...