Skip to main content

Difference between Space Opera and Science Fiction?



A while back a guy came into the place where I was working. He had a book (I don't remember the name). The book was, according to him, SciFi. I told him, "Great! My favorite SciFi is the Skylark Series by EE Doc Smith!" He sort of tsked this, saying, "Oh, that's only space opera." I really didn't know what to think of what he said. The funny thing was, I remembering looking at his book thinking, what makes his book SciFi any more than mine.



I started thinking about this incident the other day and am once again curious:


What is the difference between Space Opera and Science Fiction? What identifies each genre specifically?


NOTE: I had originally asked this on meta due to the closed question: What is the relationship between fantasy and science fiction? which is very similar to my question. It was subsequently moved to the main site.



Answer



Science Fiction is the genre heading for a kind of literature which uses extrapolations of scientific, engineering or social theories to posit a point in time where those ideas change society for better or worse (usually worse).



Science fiction is a genre of fiction dealing with imaginative content such as futuristic settings, futuristic science and technology, space travel, time travel, faster than light travel, parallel universes and extraterrestrial life. It often explores the potential consequences of scientific and other innovations, and has been called a "literature of ideas." (Wikipedia: Science Fiction)




  • Space Opera is a subset genre positing a relatively optimistic future of grand technologies, space faring civilizations both Human and Alien and often a tumultuous relationship between them. Once considered a pejorative, it has slowly become an accepted term.




Space opera is a subgenre of science fiction that often emphasizes romantic, often melodramatic adventure, set mainly or entirely in outer space, usually involving conflict between opponents possessing advanced abilities, weapons, and other technology. The term has no relation to music but is instead a play on the term "soap opera". (Wikipedia: Space Opera)





  • Science fiction is the parent genre, space opera is a sub-genre specifically targeting:



    • scientifically advanced future societies built around amazing technologies

    • Humanity spread out through the galaxy (or even multiple galaxies)


    • Some space opera include Alien life forms (but many early ones did not)

    • There are often fantastic abilities associated with space operas in addition to technology, including psychic prowess, advanced mental powers, or unexplained abilities such as Star Wars' Force Powers.




There are questions of what defines a space opera over just a science fiction novel set in space. Is Star Trek considered a space opera? How about Star Wars?




  • Space operas were basically Old West tales in space. Deriving from radio's horse-opera formats, these were adapted tales where the Old West was replaced with Deep Space and the six-shooter became the ray-gun.





  • A space opera tended to have a serial format, far-reaching stories, spanning long periods of time where individuals often alter the fabric of entire cultures or even the entire galactic community.




  • The early space operas such as E.E. "Doc" Smith's Lensmen or Skylark series were considered the seminal works of Space Opera from which most modern space-based science fiction is now derived. Smith's work in space opera started as far back as 1930s and he is often considered the father of modern space opera, with his ideas often duplicated, adapted and paid homage to over the decades. Even comic books were not exempt from his influence as the Green Lantern Corps bears similarities to ideas in his early Lensmen works.




  • Modern Space Opera writers include: Isaac Asimov's "Foundation" saga, Dan Simmons "Hyperion Cantos" series, Vernor Vinge's "Fire Upon the Deep", Lois McMaster Bujold's "Vorkosigan Saga" and the legendary Frank Herbert's "Dune Saga" to name a few off the top of my head.





  • For the record: Both Star Trek and Star Wars qualify as space opera since they both have vast galactic empires, impossibly advanced sciences, diverse alien civilizations and have had individuals alter the fabric of their entire cultures, i.e. Captain James T. Kirk, Captain Jean-Luc Picard, Captain Catherine Janeway, and Captain Benjamin Sisko for the Star Trek Universe, and Anakin Skywalker, Emperor Palpatine, Padmé Amidala, Obi-Wan Kenobi, and Darth Vader for the Star Wars Universe.




Comments

Popular posts from this blog

futurama - How much time is lost in 'Time Keeps on Slippin''

In time Keeps on Slippin' , Farnsworth creates a basketball team which he matures by abusing Chronitons. This leads to time skipping forward by random, but ever increasing amounts. How much time was skipped in this way? Answer Unfortunately, I don't think a good estimate can be made for this, for two reasons: Many of the time skips move forward by an indeterminate amount of time. At one point, the Professor mentions localized regions of space skipping forward much more than others. We then see two young boys on the street below complaining about having to pay social security, only to suddenly become senior citizens and start complaining about wanting their money. Thus, each individual could have experienced a different amount of time skippage.

harry potter - How could Expelliarmus beat Avada Kedavra?

I want to be very careful about how I ask this question – I am not asking How did Voldemort die? [CLOSED] Below the text is the relevant passages from Harry Potter and the Deathly Hallows if anyone wants to review them (I'm sorry for the amount of text). How did Expelliarmus beat Avada Kedavra and kill Voldemort? I feel the reason Harry's Expelliarmus overpowered Voldemort's Avada Kedavra curse has to do with who was master of the Elder Wand and how the Elder Wand works. I've always had trouble understanding fully how the Elder Wand works, though. How much did the fact that Voldemort never truly won or mastered the Elder Wand factor into how Expelliarmus reacted to Avada Kedavra and caused Avada Kedavra to rebound and kill Voldemort? An answer based in book canon would be especially welcome, but any canon source really is fine. Harry heard the high voice shriek as he, too, yelled his best hope to the heavens, pointing Draco’s wand: ‘ Avada Kedavra !’ ‘ Expelliarmus !...

Is there good canon evidence for the "Nightmare Matrix"?

On the Matrix wiki, there's an article about the Nightmare Matrix which says: The Nightmare Matrix was the second prototype Matrix, designed by The Architect after the massive failure of the Paradise Matrix in the hope that human minds would more readily accept an imperfect world with suffering. Unlike the first version, this Matrix instituted a basic cause-and-effect programming and forcibly made those connected to it accept the program. Vamp Prime, a possible remnant of the Nightmare Matrix. It also featured programs that resembled mythical evil creatures in various human mythologies such as vampires, werewolves, zombies, aliens, etc. It also failed, but many of the programs who were designed for it survived deletion in exile. The Merovingian and his wife, Persephone may have had their roots in this version of the Matrix. Upon its failure, the Merovingian started a smuggling ring of programs and information to provide a haven for exiles that would last for 6 cycles in the final ...

story identification - Anime with a boy hiring a creature from a stone, meets a man named Dante and starts a journey to collect crystals

I am from India, this anime or animated series (I can't remember this was made by the Japan or other countries) was aired between 2009 and 2012 probably in Jetix/Disney XD (but I'm not sure). This anime starts with a boy (the main character, I forgot his name) who find a stone (or crystal like thing) in his dad's property, his dad was missing that time. Some day he accidentally hire a creature/monster from that stone. Other day some creature attack him and he was saved by his creature and the story begins. In his journey to solve the mystery he meets a middle aged man 'Dante' (probably that was the name; this is the only character name I can remember). He had also some stone. After that they meet with one girl and a women (one of the girls is same age with the main boy character and probably will become his partner as the story goes on). Another women probably Dante's partner. Four of them started their journey to collect all the stone/crystal. They are collecti...