story identification - Science Fiction book about opening a portal to Heaven and getting thrown back out

I remember reading the beginning of this as a hardback book around the 1990 time frame. The cover had a robot, purple I want to say, in robes, or at least draped with cloth. At the very beginning of the book, scientists open a portal that leads to Heaven, but are forcibly ejected. I want to say that it was because of the robot, which was found to be an abomination. Unfortunately, then the details leave me, but that scene at the beginning of being cast out of heaven, as well as the depiction of the robot, stuck in my head. Also, I want to say that there's something about a pope...

Answer

As sometimes happens when I post these questions, rubber-duck debugging kicks in and I find it. Project Pope by Clifford D. Simak.

The return of Simak's favorite themes--including esp, robots & religion--in a thoughtful, gentle, delightfully original treatment. On the remote planet End of Nothing, a colony of advanced robots has established project Vatican-17: the building of an infallible computerized pope whose accumulated wisdom will eventually create a truly universal religion. Gathering data for the omnivorous Pope are the Listeners, humans with ESP whose agile minds probe thru time & space. Also hanging about, on the fringes of the utopian settlement, is reclusive, anachronistic Thomas Decker & his invisible companion, Whisperer, a childlike alien of awesome latent powers. Best of all in this cast of charmers are some wonderfully Simakian robots: a beguilingly crusty electronic Pope & his splendidly idiosyncratic robot Cardinals. A lovely place--but then Listener Mary appears to have discovered Heaven (literally); the resulting rancorous dispute (Decker is murdered by a robot, there's a movement to canonize the now-insane Mary) threatens to tear Vatican-17 apart; & the conclusion--involving some secretive, puissant autochthones, trips to weird worlds, a Decker clone & a trio of peevish, megalomaniac aliens--is carried thru with just the right blend of wackiness & humility....

Comments

languages - Do we ever see written English in the Star Wars films?

In Empire Strikes Back , we see a transcription of what R2's beeps and bloops mean, but it's not English (sorry for the low quality, it's from the 2004 DVDs): I'd assume it's what Basic looks like when written, but is there some point in the the Star Wars films we see written English instead? (This sort of spun off from a discussion in How do people understand astromech droids? .) Answer At one point there was English but it has been phased out in subsequent versions of the films. Chris Gould at DVD Active did a comparison of all versions of each of the Star Wars films, and in his comparison of Episode 4 , there are a couple of screenshots showing how the power gauge for the Death Star tractor beam was changed. I imagine there are probably more to be found in his other comparisons but I haven't got around to reading those yet.

Was the "pure soul" of Harry's what had really hurt Voldemort?

In the Order of the Phoenix, Voldemort possesses Harry, and it hurts. Greatly. I think that Dumbledore explained that it was because Voldemort's rotten soul was incapable of assimilating Harry's pure soul, that Voldemort didn't understand the love and friendship etc that Harry has in his heart. But, I think it was a lie. Remember that in Deathly Hallows, while looking for information regarding Horcruxes, it is discovered that it is in fact possible to merge a soul fragment back, but that the process was extremely painful. Now then, if Voldemort tried to possess Harry, and Harry had a fragment of Voldemort's soul, I think that it could have been the true cause of Voldemort's pain: the fact of having his soul so close of another fragment. I think that Dumbledore knew that fact, but had to lie to Harry because it was inappropriate to let him know that he had one of Voldemort's soul fragments at the moment. Is that right? Or was it truly the pure soul of Harry's...

star wars - What "exactly" happens when someone turns to the Dark Side?

When I saw the original Star Wars saga as a kid, the concept of the Dark Side imprinted in me was quite simple. You did a bad thing, so you're a bad person so you go to the Dark Side and keep doing bad things. Now, obviously this doesn't hold true in reality. In my mind it is perfectly reasonable for Luke to kill the Emperor and Vader and then just flee the Death Star and rejoin the Alliance. After all they are at war, those are enemy officers that have captured him and are taunting him by threatening with death of all loved ones and the whole operation was intended to kill the Emperor anyway. The same would hold true for Anakin. He could have killed Mace Windu to save the Chancellor and Padme but that doesn't mean he's going to then go mad and kill all Jedis including children. It doesn't add up from a merely psychological point of view. He had a set of objectives and that made him want to keep the Chancellor alive (quite valid by the way, Mace Windu is quite clums...

star trek - Warning regarding forward saucer section in Nemesis?

In Star Trek: Nemesis , just before the Enterprise rams into the Scimitar, Picard sends a text message from his captain's chair arm pad to Troi — who is manning the helm in lieu of the crewman who was just blown out through what was once the view screen — indicating that she should put full impulse on standby. (Literally, if you watch the scene closely, Troi's console prefaces the order with "TXT MSG" !) My question is: Did Picard also somehow warn crew members in the forward saucer section about what was about to happen? The ramming of the Scimitar was a heat of the moment decision. Considering that he also resorted to calling the auto-destruct sequence shortly after (which ended up being offline), he probably was of the mindset that any losses would be acceptable in order to hault Shinzon's march to Earth. Still, I'm curious. Answer The original script indicates that he called for the crew to " brace for impact ". Whether that call (or the comma...

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