Skip to main content

What "time travel" story required the traveller to mentally reconstruct his world in order to return to it?


Here's what I remember about it:



  1. The protagonist is sent a relatively short distance into the future (maybe a year? I've forgotten).


  2. When he arrives in this "future" he finds himself in a completely different world, with non-human inhabitants.

  3. The inhabitants use a machine to teach him their torturous language.

  4. He tries to return home, and (eventually) finds himself in a realm of chaos/nothingness.

  5. He laboriously reconstructs in his mind everything he can remember about his home and finds himself back there somehow.

  6. The twist is

    that in his "home" reality everyone speaks the language he was taught by the non-human inhabitants at his first stop.







Answer



What "time travel" story required the traveller to mentally reconstruct his world in order to return to it?


"Flux" by Michael Moorcock and Barrington J. Bayley, first published in New Worlds Science Fiction #132, July 1963, available at the Internet Archive.


1. The protagonist is sent a relatively short distance into the future (maybe a year? I've forgotten).


Ten years:



"Our only hope lies in discovering how events are organized in time—this might sound highly speculative for such a serious and practical matter, but this is what things have come to. In order to take effective action in the present, we must know the future. This is the mission we have in mind for you. The Research Complex at Geneva has found a way to deposit a man some years in the future and bring him back. You will be sent ten years forward to find out what will happen and how it will come about. You will then return, report your findings to us, and we will use this information to guide our actions, and also—scientifically—to analyze the laws governing the sequence of time. This is how we hope to formulate a method of human government for use by future ages, and, perhaps, remove the random element from human affairs."



2. When he arrives in this "future" he finds himself in a completely different world, with non-human inhabitants.




A group of bipeds was advancing, straggling on bony, delicate limbs through knee-deep strata of purple clouds which rolled in masses a few hundred yards away. They were humanoid, but skeletal, ugly, and clearly not human. The leader, who was over seven feet tall, was shouting and pointing at File and the machine.

Another waved his hands: "Sa Skrrak—dek svala yaal!"



3. The inhabitants use a machine to teach him their torturous language.



In the course of the meal, File also discovered that the machine the warrior had trained on him in the desert was 100 percent efficient. He had been completely reeducated to talk and think in another language, even though he could, if he chose, detach himself slightly, hear the strangeness of the sounds which came from both his mouth and those of the Yulk.



4. He tries to return home, and (eventually) finds himself in a realm of chaos/nothingness.



The formless universe around him began to vanish as he went to an immense distance and beyond the limits of speed. Matter was breaking up, disappearing. Still he rushed on in terror, until the time machine fell away beneath him, and the matter of his body disintegrated and vanished.

He was a bodiless intelligence, hurtling through the void. Then his emotions began to vanish. His thoughts. His identity. The sensation of movement dropped away. Max File was gone. Nothing to see, hear, feel, or know.




5. He laboriously reconstructs in his mind everything he can remember about his home and finds himself back there somehow.



It was a newfound delight. He could make anything! For ages he experimented, creating everything he could think of. Once, a whole world formed beneath him, complete with civilizations, a tiny sun, and rocket-ships reaching out.

He canceled it at once. It was enough to know that his every intention, even his vaguest and grandest thought, was translated into detail.

Now he had a means to return home—and now he could solve the government's problem for good and all.

For if he could not find Europe, could he not create it over again? Would that not be just as good? In fact, it was a point of philosophy whether it would not be in fact the same Europe. This was Nietzsche's belief, he remembered—his hope of personal immortality. Since, in the boundless universe, he was bound to recur—File's discoveries had reinforced this view, anyhow—he could not die. Two identical objects shared the same existence.



6. The twist is



that in his "home" reality everyone speaks the language he was taught by the non-human inhabitants at his first stop.



Yep:




"You're back on the dot, old man! As a test flight it was perfect—from our end." He flicked his finger over his shoulder. "Bring brandy for the man! You look done in, Max. Come and clean up; then you can tell us how it went . . ."

File nodded, smiling wordlessly. It was almost perfect . . . but he had not realized just how efficiently he had been taught a new language.

Appeltoft had spoken to him in the voice-torturing tongue of the Yulk.



Comments

Popular posts from this blog

harry potter - Do the Kwikspell courses work?

In Harry Potter we are introduced to Kwikspell course in The Chamber of Secrets (and never hear about it again). We see Filch taking courses, presumably by mail. The descriptions of Kwikspell make me think it is for people who are weak in magic (kind of like how Neville was supposed to be when he was younger), but had magic in them nonetheless. However, Ron's comments later in the chapter make it sound like it is mainly for Squibs to learn magic. However, it is strongly implied through out all the books that Squibs are essentially Muggles, and will never be able to do magic. How then is a Kwikspell course supposed to work? Do we have any information to know if it works at all? Is it a scam? An answer from any level of canon is welcome. Answer Kwikspell courses are (probably) useful to some wizards, but not to squibs. The Kwikspell course literature comes with two testimonials. Madam Z. Nettles of Topsham writes: ‘I had no memory for incantations and my potions were a family joke...

futurama - How much time is lost in 'Time Keeps on Slippin''

In time Keeps on Slippin' , Farnsworth creates a basketball team which he matures by abusing Chronitons. This leads to time skipping forward by random, but ever increasing amounts. How much time was skipped in this way? Answer Unfortunately, I don't think a good estimate can be made for this, for two reasons: Many of the time skips move forward by an indeterminate amount of time. At one point, the Professor mentions localized regions of space skipping forward much more than others. We then see two young boys on the street below complaining about having to pay social security, only to suddenly become senior citizens and start complaining about wanting their money. Thus, each individual could have experienced a different amount of time skippage.

star wars - What "exactly" happens when someone turns to the Dark Side?

When I saw the original Star Wars saga as a kid, the concept of the Dark Side imprinted in me was quite simple. You did a bad thing, so you're a bad person so you go to the Dark Side and keep doing bad things. Now, obviously this doesn't hold true in reality. In my mind it is perfectly reasonable for Luke to kill the Emperor and Vader and then just flee the Death Star and rejoin the Alliance. After all they are at war, those are enemy officers that have captured him and are taunting him by threatening with death of all loved ones and the whole operation was intended to kill the Emperor anyway. The same would hold true for Anakin. He could have killed Mace Windu to save the Chancellor and Padme but that doesn't mean he's going to then go mad and kill all Jedis including children. It doesn't add up from a merely psychological point of view. He had a set of objectives and that made him want to keep the Chancellor alive (quite valid by the way, Mace Windu is quite clums...

star trek - Warning regarding forward saucer section in Nemesis?

In Star Trek: Nemesis , just before the Enterprise rams into the Scimitar, Picard sends a text message from his captain's chair arm pad to Troi — who is manning the helm in lieu of the crewman who was just blown out through what was once the view screen — indicating that she should put full impulse on standby. (Literally, if you watch the scene closely, Troi's console prefaces the order with "TXT MSG" !) My question is: Did Picard also somehow warn crew members in the forward saucer section about what was about to happen? The ramming of the Scimitar was a heat of the moment decision. Considering that he also resorted to calling the auto-destruct sequence shortly after (which ended up being offline), he probably was of the mindset that any losses would be acceptable in order to hault Shinzon's march to Earth. Still, I'm curious. Answer The original script indicates that he called for the crew to " brace for impact ". Whether that call (or the comma...