Skip to main content

history of - What was the earliest SF work that used the idea of the "Multiverse"?



The discussion below this question leads me to ask: What was the earliest SF work that used the idea of the Multiverse (parallel universes or alternate worlds)? I'm looking for fairly hard SF treatments, where the idea is presented as a real, physical possibility rather than magical or fantasy worlds, such as Narnia.



Answer



1915: A Drop in Infinity, a novel by Gerald Grogan, available at the Internet Archive. Reviewed by Everett F. Bleiler in Science-Fiction: The Early Years:



A robinsonade in the fourth dimension.

Jack Thorpe and Marjorie Matthews are walking along the shore in Cornwall when a seeming eccentric asks them directions. They humor him by showing the way, whereupon he produces a revolver and takes them captive. A scientist who has worked in dimensional research, he is brilliant, but unfortunately mad and irresponsible. He thinks of himself as a hubble-bubble, and so the characters call him.

The Hubble-Bubble reveals that he has obtained access, via the fourth dimension, to two other worlds which in modern terminology amount to parallel worlds. His technique involves electricity, vibrations, and a mental set. He now offers Jack and Marjorie the choice of death or entry to another world, which he claims is much like earth in fauna and flora, but without human or other intelligent life.

Jack and Marjorie have little choice, and in a short time find themselves in the world they later call Marjorie-land. Making the best of the situation, they work out a Crusoe-like primitive culture, building a house, cultivating certain plants, and domesticating animals. From time to time a few other humans are dropped in with them, a total of four batches in all. Most of them are congenial, but Michael Quelch, a lazy, vicious Cockney will eventually cause trouble.

On one occasion the Hubble-Bubble's apparatus seems to have "backfired," and Jack is temporarily returned to our world. But he makes terms of a sort with the mad scientist and goes back to Marjorie-land.

Time passes. Jack and Marjorie have two children, and the colonists thrive. Life seems reasonably secure and happy. But then Quelch causes trouble. Thinking that Jack is dead when he does not return on time from a journey of exploration, Quelch tries to seize control of the settlement, rape Marjorie, and murder the children. Fortunately, as in a novel by Edgar Rice Burroughs, Jack returns in the nick of time. After some complications Jack reluctantly sets out to hunt Quelch down and kill him, but Quelch is found dead of natural causes.

After a time it becomes apparent that the Hubble-Bubble is also dead and that the small human colony in Marjorie-land is permanently isolated.

The story is told by Thorpe, a generation or two later.

In the first part of the book, the treatment is flippant, but the story soon settles down to a rather dull development. Of historical interest as a very early parallel worlds story.



Comments

Popular posts from this blog

languages - Do we ever see written English in the Star Wars films?

In Empire Strikes Back , we see a transcription of what R2's beeps and bloops mean, but it's not English (sorry for the low quality, it's from the 2004 DVDs): I'd assume it's what Basic looks like when written, but is there some point in the the Star Wars films we see written English instead? (This sort of spun off from a discussion in How do people understand astromech droids? .) Answer At one point there was English but it has been phased out in subsequent versions of the films. Chris Gould at DVD Active did a comparison of all versions of each of the Star Wars films, and in his comparison of Episode 4 , there are a couple of screenshots showing how the power gauge for the Death Star tractor beam was changed. I imagine there are probably more to be found in his other comparisons but I haven't got around to reading those yet.

Was the "pure soul" of Harry's what had really hurt Voldemort?

In the Order of the Phoenix, Voldemort possesses Harry, and it hurts. Greatly. I think that Dumbledore explained that it was because Voldemort's rotten soul was incapable of assimilating Harry's pure soul, that Voldemort didn't understand the love and friendship etc that Harry has in his heart. But, I think it was a lie. Remember that in Deathly Hallows, while looking for information regarding Horcruxes, it is discovered that it is in fact possible to merge a soul fragment back, but that the process was extremely painful. Now then, if Voldemort tried to possess Harry, and Harry had a fragment of Voldemort's soul, I think that it could have been the true cause of Voldemort's pain: the fact of having his soul so close of another fragment. I think that Dumbledore knew that fact, but had to lie to Harry because it was inappropriate to let him know that he had one of Voldemort's soul fragments at the moment. Is that right? Or was it truly the pure soul of Harry's...

star wars - What "exactly" happens when someone turns to the Dark Side?

When I saw the original Star Wars saga as a kid, the concept of the Dark Side imprinted in me was quite simple. You did a bad thing, so you're a bad person so you go to the Dark Side and keep doing bad things. Now, obviously this doesn't hold true in reality. In my mind it is perfectly reasonable for Luke to kill the Emperor and Vader and then just flee the Death Star and rejoin the Alliance. After all they are at war, those are enemy officers that have captured him and are taunting him by threatening with death of all loved ones and the whole operation was intended to kill the Emperor anyway. The same would hold true for Anakin. He could have killed Mace Windu to save the Chancellor and Padme but that doesn't mean he's going to then go mad and kill all Jedis including children. It doesn't add up from a merely psychological point of view. He had a set of objectives and that made him want to keep the Chancellor alive (quite valid by the way, Mace Windu is quite clums...

star trek - Warning regarding forward saucer section in Nemesis?

In Star Trek: Nemesis , just before the Enterprise rams into the Scimitar, Picard sends a text message from his captain's chair arm pad to Troi — who is manning the helm in lieu of the crewman who was just blown out through what was once the view screen — indicating that she should put full impulse on standby. (Literally, if you watch the scene closely, Troi's console prefaces the order with "TXT MSG" !) My question is: Did Picard also somehow warn crew members in the forward saucer section about what was about to happen? The ramming of the Scimitar was a heat of the moment decision. Considering that he also resorted to calling the auto-destruct sequence shortly after (which ended up being offline), he probably was of the mindset that any losses would be acceptable in order to hault Shinzon's march to Earth. Still, I'm curious. Answer The original script indicates that he called for the crew to " brace for impact ". Whether that call (or the comma...