Skip to main content

contact - Why couldn't Ellie's experience be corroborated by simply re-using the machine?


I recently re-watched Contact for the first time since my childhood, and while I thoroughly enjoyed it, I realized that there was something I'd never understood: why couldn't they corroborate Ellie's account of her journey?


As far as I could tell, the pod fell harmlessly through the machine. That is, it didn't break anything, and the machine wasn't destroyed. I don't recall any dialogue about circuits being fried or the system shutting down, so presumably it wouldn't be hard to simply hoist the pod up and go again. I imagine the energy draw was substantial on the local Japanese power grid, but given the amount of effort and money already invested in the machine, surely "Round 2" wasn't out of the question? I mean, they almost certainly expected that this machine would get more than one good use out of it, anyway!


So given Ellie's vehement insistence that the machine had worked, the public nature of the controversy surrounding her testimony, and the government's (secret) findings that her device had recorded 18 hours of static, why wasn't it the obvious choice to have someone else suiting up the next day, ready to drop through the machine and corroborate her story?



Answer




The source novel and the original screenplay for the film approach this from slightly different angles. In both the book and the early screenplay, however the machine wasn't a 'drop' but a thingy made of a sort of crystal that sat inside a series of spinning thingies. You entered the machine through a transparent panel in the side.


Book


We don't learn the fate of the machine, but it was made abundantly clear that it simply wouldn't work a second time. It can be "spun up" but there won't be a connecting wormhole. Presumably any further attempt to use it would simply be aborted. Note also that the machine is fabulously expensive to use so it's likely it would (at some point) be tried again but just not work.



The tunnel from Honshu to Hokkaido was open again, but the passageway from Earth to Vega was closed. They hadn’t actually tested this proposition — Ellie wondered whether, when the Five finally left the site, the project would try to spin up the benzels again—but she believed what she had been told: The Machine would not work again; there would be no further access to the tunnels for the beings of Earth. We could make little indentations in space-time as much as we liked; it would do us no good if no one hooked up from the other side. We had been given a glimpse, she thought, and then were left to save ourselves. If we could.



Screenplay


In the earlier draft screenplay the government declared the project an apparent failure. The entryway to the machine becomes impervious to entry and the decision is taken to simply encase the entire thing in concrete in case it causes further problems, literally burying it.



PRESIDENT LASKER (V.O.): Put him through.

(as PHONE CLICKS)
Well?


KITZ (V.O.): Nothing. Apparently the surface began to ossify immediately after she emerged; all subsequent attempts to re-enter the machine have failed...


The sedan approaches the Capitol Building. The steps are mobbed with a surreal menagerie of the fanatical and the dispossessed. A huge bonfire has been built; images of Ellie on the cross...


KITZ (V.O.): ... as have all attempts at internal analysis. We've tried sonargrams, magnetic resonance, gamma rays; it's completely impenetrable.


PRESIDENT LASKER (V.O.): Recommendations?


KITZ (V.O.) I don't know. Maybe we built the damn thing wrong. Maybe it was all a hoax...
(sighs)
The safest thing would probably be to do a Chernobyl; encase it in concrete.


... (later)



HOKKAIDO


[The entombment of the machine has begun. Scaffolding on all sides, swarming with workers in quarantine suits. Helicopters fly overhead, dumping load after load of concrete.]



There's really no good reason to assume that the film machine suffered a different fate.


Comments

Popular posts from this blog

languages - Do we ever see written English in the Star Wars films?

In Empire Strikes Back , we see a transcription of what R2's beeps and bloops mean, but it's not English (sorry for the low quality, it's from the 2004 DVDs): I'd assume it's what Basic looks like when written, but is there some point in the the Star Wars films we see written English instead? (This sort of spun off from a discussion in How do people understand astromech droids? .) Answer At one point there was English but it has been phased out in subsequent versions of the films. Chris Gould at DVD Active did a comparison of all versions of each of the Star Wars films, and in his comparison of Episode 4 , there are a couple of screenshots showing how the power gauge for the Death Star tractor beam was changed. I imagine there are probably more to be found in his other comparisons but I haven't got around to reading those yet.

Was the "pure soul" of Harry's what had really hurt Voldemort?

In the Order of the Phoenix, Voldemort possesses Harry, and it hurts. Greatly. I think that Dumbledore explained that it was because Voldemort's rotten soul was incapable of assimilating Harry's pure soul, that Voldemort didn't understand the love and friendship etc that Harry has in his heart. But, I think it was a lie. Remember that in Deathly Hallows, while looking for information regarding Horcruxes, it is discovered that it is in fact possible to merge a soul fragment back, but that the process was extremely painful. Now then, if Voldemort tried to possess Harry, and Harry had a fragment of Voldemort's soul, I think that it could have been the true cause of Voldemort's pain: the fact of having his soul so close of another fragment. I think that Dumbledore knew that fact, but had to lie to Harry because it was inappropriate to let him know that he had one of Voldemort's soul fragments at the moment. Is that right? Or was it truly the pure soul of Harry's...

star wars - What "exactly" happens when someone turns to the Dark Side?

When I saw the original Star Wars saga as a kid, the concept of the Dark Side imprinted in me was quite simple. You did a bad thing, so you're a bad person so you go to the Dark Side and keep doing bad things. Now, obviously this doesn't hold true in reality. In my mind it is perfectly reasonable for Luke to kill the Emperor and Vader and then just flee the Death Star and rejoin the Alliance. After all they are at war, those are enemy officers that have captured him and are taunting him by threatening with death of all loved ones and the whole operation was intended to kill the Emperor anyway. The same would hold true for Anakin. He could have killed Mace Windu to save the Chancellor and Padme but that doesn't mean he's going to then go mad and kill all Jedis including children. It doesn't add up from a merely psychological point of view. He had a set of objectives and that made him want to keep the Chancellor alive (quite valid by the way, Mace Windu is quite clums...

star trek - Warning regarding forward saucer section in Nemesis?

In Star Trek: Nemesis , just before the Enterprise rams into the Scimitar, Picard sends a text message from his captain's chair arm pad to Troi — who is manning the helm in lieu of the crewman who was just blown out through what was once the view screen — indicating that she should put full impulse on standby. (Literally, if you watch the scene closely, Troi's console prefaces the order with "TXT MSG" !) My question is: Did Picard also somehow warn crew members in the forward saucer section about what was about to happen? The ramming of the Scimitar was a heat of the moment decision. Considering that he also resorted to calling the auto-destruct sequence shortly after (which ended up being offline), he probably was of the mindset that any losses would be acceptable in order to hault Shinzon's march to Earth. Still, I'm curious. Answer The original script indicates that he called for the crew to " brace for impact ". Whether that call (or the comma...